In honor of the current topic, I am sharing my recipe. Caution: this recipe is for international or political thrillers. It should be modified for serial killer or domestic thrillers.
Friday, August 26, 2016
MAKING MR. WRONG
S. Lee Manning: The topic for this round of blogs for Rogue Women Writers is
creating a great villain. (If you haven't already, sign up to subscribe to our blog here.)
In honor of the current topic, I am sharing my recipe. Caution: this recipe is for international or political thrillers. It should be modified for serial killer or domestic thrillers.
In honor of the current topic, I am sharing my recipe. Caution: this recipe is for international or political thrillers. It should be modified for serial killer or domestic thrillers.
RECIPE FOR VILLAIN, INTERNATIONAL FLAVOR
ONE PART STATED MOTIVE
What is the underlying reason or concern that the villain
thinks justifies his or her actions? (For purposes of this recipe, I will be
referring to the villain as “he.” Not that women don’t make wonderful villains,
and not that I don’t believe in equal opportunity for female villains, but the
villains I’ve created have been male. And it gets confusing to switch back and
forth.)
In international and political thrillers, the villain often
justifies whatever he’s doing because of a higher goal – in other words, he
thinks he’s the hero. And, villains who imagine themselves as
heroes are those most likely to commit the worst acts. Think Hitler. Think Pol Pot. In their minds, they
weren’t mass murderers whose very names would become an evocation of evil. In
their minds, they were heroes. They did what they perceived as necessary to
achieve a goal. Pol Pot thought he was creating a socialist new world order
where everyone would be equal. Hitler thought he was bringing the German people
back to greatness after the humiliation of World War I.
Of course, the motive and the justification can be more
mundane, even in international thrillers. The desire for revenge, the desire
for money or power. What is important in this ingredient is that the villain
believes that he’s justified, that somehow he sees himself as the
hero of the story. In my work in progress, one of my villains is primarily
motivated by revenge. But in his mind, revenge is a noble righting of a wrong.
ONE PART PSYCHOLOGICAL MOTIVE
What is the underlying reason for the villain’s actions, despite
whatever he may tell others or himself is his real motive?
This motive comes from deep within: an insecurity, a
twisted childhood, a belief in his own superiority, lust for power, even a
sadism born of abuse. It’s the psychology behind whatever allows the villain to
think that he has the right to act as he acts.
This needs to be a little more carefully diced than the
above. The villain may say he wants to protect the German people but is really
motivated by the fact that he’s a little man who failed at art and wants to get
back at people who mocked him. Chop finely and sprinkle as you stir.
TWO PARTS DESPICABLE ACTS
How is the villain pursuing whatever his stated goal may be?
Yes, some stated motives may themselves be despicable, but ultimately, it’s
what the villain does, not why he does it. The motive explains the villain; the
bad acts make the villain.
It’s not that Pol Pot wanted to equalize Cambodian society,
it’s that he murdered a million and a half people in seeking that goal. It’s
not that Hitler wanted to raise Germany up after World War I and the
depression, it’s how he went about doing it.
In my novel Trojan Horse, there is nothing intrinsically
wrong with Mihai Cuza wanting to increase the standing of the country of
Romania, and improve the standard of living for its people. There is not
necessarily anything wrong with wanting power to achieve what he believes is
his goal. It’s how he plans to achieve that goal, and the acts he takes along
the way.
Because the villain's and the hero’s motives may not be that
different. They may even be the same. Both may want to protect their own
people. Both may want to exact revenge for wrongs.
It’s the lines that are crossed – and how far they are
crossed.
There are heroes who sometimes tread on the
line between good and evil. In a novel that I read recently, the hero summarily
executes a bad guy who is responsible for slowly killing hundreds of people,
even though the bad guy has surrendered. It doesn’t necessarily make the hero into a
villain. It’s over the line, but it’s only a step over.
The difference is that a great villain doesn’t just step over the
line. He drives over it in a Mack truck.
He doesn’t just kill one guy. He’ll kill an entire village
of innocent people in order to get one person he thinks needs to be killed. And
if it’s one person that’s killed, it’s a person whom the reader thinks does not
deserve to die.
The great villain in the international thriller needs to
violate our sense of morality and our sense of fair play, and he needs to do it
in a way that appalls us. Trojan Horse starts with my villain killing an
American intelligence agent by impaling her so she dies slowly and in agony.
ADD TO TASTE
Pinch of humanity
Not every villain has it. Certainly not the Terminator
types. But a pinch of humanity adds a richness to the stew. Show something about
your villain that the reader could actually relate to – that he is stuck in a
loveless marriage with a drunk, nagging wife, that he likes German shepherds,
that he loves a woman who died. My villain, Cuza, appreciates birds and is
gentle with his horses. My taste is for the villain who, despite his evil, is
three-dimensional.
Soupçon of charm
Not every villain has this, either. Wit, cleverness, an
ability to charm can add flavor to your novel. Add to individual taste.
STIR, DON’T SHAKE
Gently stir the mixture so that the ingredients blend
together. Pour generously over the other ingredients of the novel. Bake for
anywhere from a few months to a few years.
Serve warm.
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What a glorious stew, S. Lee. Love the ingredients. They're so true. I particularly like your admonition to add humanity. Those are the most scary villains of all!
ReplyDeleteTerrific summary of so many different motives of villains we have seen throughout history as well as in some great novels! In fact, your piece is an excellent "primer" for aspiring thriller writers -- with so much food-for-thought on how to craft a very realistic and scary scenario. Thanks for posting.
ReplyDeleteI agree, Gayle, that the more human the villain, the more scary, perhaps because he's not an unknowable alien creature. Thank, Karna, I was trying to create food-for-thought for the thriller writer.
ReplyDeleteLove this post. To carry on the food metaphor---Hannibal Lecter comes to mind. He was voted the number 1 villain (Atticus Finch the number 1 hero) in a poll I once saw. Why was Lecter number 1? He hit on all the points you discuss here. Yes he had a deeply psychological motive and he definitely performed many despicable acts and of course charm was his stock in trade--along with profound intellect---but he also had humanity. We see that is the fact that he helped track down Dollarhyde and Buffalo Bill but mostly because he, on some level, loved Clarice. As she said, he would consider harming her "rude." Now that's love.
ReplyDeleteGreat article.
Absolutely love this blog. Totally agree with you about a fully developed villain being the cornerstone of a good book. And the cooking analogy was wonderful. Well done, Sandy!
ReplyDeleteDP, Hannibal Lecter would be on my list of top ten all-time villains for the reasons you mention. Thanks for the kind words.
ReplyDeleteKJ, glad you liked the cooking analogy. I was actually having trouble coming up with this post, and then I woke up one bright Vermont morning and decided to go with a recipe.
Great post, S. Lee. You touched on something I strongly agree with: the bad guy doesn't think he's the bad guy. Hitler was absolutely the hero of his own story. One might argue, as you mentioned, that his motives (to rescue Germany from the depression) weren't bad. His methods, however... That's the difference, I guess, between hero and villain. Hitler's genocide (to get his people ahead) versus, say, Martin Luther King's methods to promote equal civil rights.
ReplyDelete