Friday, October 21, 2016
DRACULA AND ME
S. Lee Manning: It’s Halloween in two weeks, and in honor of the holiday,
I’ve decided to talk about my lifelong
connection with vampires – and how it
has affected my writing.
It all started when I was thirteen years old – which
probably has some psychological significance. At thirteen, I officially became
a teenager. I celebrated my bat mitzvah, becoming a full congregate in my
conservative Jewish congregation. I was a voracious reader, as I had been since
early childhood. Sometime in the fall of my thirteenth year, I took Bram
Stoker’s Dracula out of the library. I read straight through until about nine
o’clock at night, to the point in the book where a sweet young woman, Lucy,
dies from Dracula’s draining her blood and then rises as a vampire.
I was up all night, terrified. I remember lying rigid in my
bed, too scared to close my eyes. Every breath of wind, every brush of a branch
across the window became in my imagination a vampire trying to get inside my
house and inside my room.
Now, I wasn’t a total idiot, even though I was thirteen.
Intellectually, I knew that vampires didn’t exist, that they were creatures of
myth and fiction. But my imagination has always been my strength – and my
weakness. Lying in the dark at night, what I knew intellectually had no effect
whatsoever on my terror.
In the morning, exhausted and still traumatized, I made a
plea to buy a crucifix to ward off vampires.
Jewish parents can be pretty indulgent, but this was pushing it. My
father instead bought me a mezuzah, a pendant containing parchment and the
Shema - recited by Jews for over two
thousand years. I was a little concerned that vampires might not recognize
Judaism or sacred Jewish prayers, but I wore it and eventually calmed down. (I
still wear it, but now in memory of my father and not as a charm against
vampires.)
Years passed before I could bring myself to return to Bram
Stoker’s novel – when I found the book to be a decent read and tried to
analyze what had so frightened my younger self. What was it about vampires, more than any
other monster or ghost story, that had so affected me? I embarked on research
into the origins of Dracula – because that’s what I do.
The myths
Vampire folklore has a long history, originating in the
human fear of the dead. Many ancient cultures had myths of blood sucking
creatures, most of which were demons or spirits rather than reanimated corpses.
The vampire myths of the returned and malevolent dead became more prevalent in
Eastern Europe sometime around the beginning of the eighteenth century.
There are a lot of theories as to why the folklore took
hold. In the seventeenth century Balkan area, the origin of disease was not
understood. It was thought that people and animals fell ill not from a natural
process but from supernatural acts.
When an epidemic took hold in an area, terrified villagers
would dig up the body of a recently deceased person and find what they thought
was evidence of vampirism. The process of decay of a corpse was misunderstood –
and the natural bloating and changes that occur after death were mistaken as
evidence that the recently dead were feeding on blood.
How one became a vampire differed from region to region. In
some tales, the vampire is an immoral person or a witch. Babies born with teeth
would become vampires. Those who had committed suicide or been excommunicated
could become vampires. In some folktales, a cat or dog jumping over a corpse
could create a vampire.
Writers eventually picked up on those myths. In the
beginning of the nineteenth century, a short story, The Vampyre, described
an aristocratic vampire preying on young women. In 1872, Sheridan Le Fanu wrote
Carmilla, a lesbian vampire story. Interestingly, Le Fanu gave Bram Stoker his
first newspaper job.
Enter Dracula
Bram Stoker’s novel, published in 1892, drew upon those
prior works and an amalgam of Eastern European myths. Stoker’s novel also
incorporated Victorian views of sexuality in the depiction of the evil
emanating from the vampire. A bite from Dracula turns an innocent into a
vampire. Women
Then there are the historical underpinnings of Dracula. Oddly,
though, while people believe Stoker based his character on the historical
figure of Vlad III of Wallachia, that is not entirely clear according to Stoker’s
notes, discovered in a museum in 1972.
Vlad III of Wallachia, called “Dracula,” was an anti-Turkish
hero in his homeland. His father, Vlad II, had been a member of the knightly
order of the dragon -"dracul." Vald II was called “Dracul” ; thus his son, Vlad III ,became Dracula, or son
of the dragon. His penchant for execution by impalement, led to his also becoming
known as Vlad the Impaler.
The vampire in Stoker's book shares the name Dracula with Vlad
III. He also shares a history of fighting the Turks. Stoker’s notes, however,
show little other evidence that he modeled Dracula on Vlad III. He chose the
name Dracula after finding a textual reference that Dracula meant "devil" in
Wallachia – and was used for people who were especially courageous, cruel, or
cunning. In fact, Stoker’s notes indicate that he first intended his vampire to
come from Austria. Nevertheless, the vampire Dracula and the historical figure
of Vlad III have been merged in popular imagination so much that movies and books
often intermingle the two.
My writing
Despite my younger self’s fascination with vampires, I have
never written in the genre. I rarely
read supernatural novels at this point in my life. I will confess to having
watched Buffy and True Blood, but I don’t like horror
films nor have I watched the multitude of Dracula movies out there.
However, my early fascination with Dracula may
have influenced choices I made while writing my espionage thriller, Trojan
Horse. Romania’s recent history - the
overthrow of the dictator Ceausescu, the current economic
strains on the country, and the presence of an American base - made it an
attractive setting for an espionage thriller. Then there’s my villain. The
figure of Vlad III, as a historical figure reviled in the west but loved in
Romania, intrigued me. I wanted to create a villain who did horrific things but
thought he was a hero. My villain became the descendant of Vlad III. No
vampires, although I did indulge in one or two Dracula jokes.
There was also something deeply
satisfying in incorporating into a thriller some elements of a story that had so affected me as
child.
So why did Dracula have such a powerful effect on me as a
thirteen year old? I’m still not completely sure. It’s difficult to put myself
back into my mindset at that age. However, from what I remember, what scared me
most was the idea that anyone could become a vampire: my mother, my father, me.
One moment, a person would be alive, normal. The next moment, a vampire. Just
as death can strike anyone at any time without notice. And maybe that’s it. At
an age between childhood and adulthood when I was just becoming aware of
mortality, I read a book that somehow crystalized my fear of the randomness of death.
How about you? What terrified you as a child?
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I'm NEVER going to read Dracula, S. Lee. I am so scared anyway, and although I'm at a ripe old age, I'd be shaking under the covers. You've convinced me! Oh, to have the resiliance of youth. No wonder you write terrific international espionage novels!
ReplyDeleteWow - what a history lesson about vampires and Dracula....not stories that I will read about now, however. I never watch horror films on TV or in theaters - I have to confess that even though I enjoy reading thriller novels (with the "knowledge" that the good guys and girls will vanquish the bad guys in the end), I now love Hallmark movies! But I can certainly see that one reason you write great novels is your incredible use of research techniques - thanks for posting.
ReplyDeleteGayle and Karna, I'm kind of with both of you on this. Vampires fascinate me because of that early experience, but I have enough things to scare me these days.
ReplyDelete